The Nashville Numbering System is a method of denoting chord letter symbols by using roman numerals, and it's one of the most important concepts taught in. Here below you find a chart with the Nashville Numbers for the keys of C and G. The table shows the chords of the C and G keys and their scale degree in Roman numbers (I,ii,iii, IV,V, vi, vii°). Chords Degree Roman Numbers Chart - C and G Keys Key I ii iii IV V vi vii° C C Dm Em F G Am Bm/b5 G G Am Bm C D Em F#m/b5 For example let's say we take one of the more common progressions known as the I-IV-V, or the 1-4-5 Now suppose that your band mate says: 'This song is I-IV-V'. In the key of G than that means the chords are G C D. In the key of C, than the chords are C F G Easy, isn't?

• Who Invented The Nashville Number System
• The Nashville Number System Chart
• The Nashville Number System Book

This is a resource you should have in your library, but it's not comprehensive. I definitely found it. The Nashville Number System Nashville Eats. Thanks for it and these videos! Darrells1r*** i have to say the teacher and the ebook is awesome. The Nashville Number System is the. Login Library Card Number. T here is a better way to make music together as a band, and it’s called The Nashville Number System (NNS). Get the free ebook by signing up here.

What you have to do is to understand the relationship between the chord and its scale degree number. In this way, you can denote chords with numbers and deal with chords progressions easier. Why degree numbers are written in uppercase or lowercase? By writing Roman numbers in uppercase and lowercase we can indicate the type of chord. The roman numbers for Major chords are written in uppercase (e.g.

C, G, F). The roman numbers for Minor chords are written in lowercase (e.g. Am, Dm, Em). The roman numbers for Half-diminished chords are written in lowercase and with the ° symbol (e.g. Bm/b5) In this way the Nashville Number System also shows the types of the song chords. For example, the progressions I V vi vii ° in C key is composed of these chords: C G Am Bm/b5 Full Chart of keys and Nashville Number System Numbers Here below you find a complete chart showing the chords for all the keys.

Who Invented The Nashville Number System

As an exercise, try to find the chords for a I-IV-V song in F major key (solution at the bottom of the table). Chords and keys relationship Chord progressions are all built around these particular tones and chords in each key. The question might be, does it matter what key we play in? Well the answer is, it depends. Even though a I-IV-V song can be played in the key of C as C-F-G, or in the key of G as G-C-D, each key can give the song a slightly different feel. Sometimes musicians use the Nashville Number System to, to make it easier to play a song, but they occasionally find that the 'feel' of the song can change with the key. Each chord progression out there is based upon the relationship between these chords.

The Nashville Number System Chart

For example listen closely to how each of these progressions sound: C-G-Am-F and C-Am-F-G:. C-G-Am-F: this is one of the most common pop rock progressions; it's the same as Let It Be and Don't Stop Believing;.

C-Am-F-G: this one should sound familiar because it is the basis of nearly every Doo Wop/50’s song ever, it is the same as the songs Earth Angel and Stay. The I-IV-V progression When you learn a new chord progression it is important to pay attention to the order of the notes and how each chord leads into another sound or resolves. During a middle of a verse we want chords that lead us on; during the end of a verse we want chords that have a resolution.

Usually a song will begin on the tonic and end on the tonic, of course there are exceptions. And we can change a common progression by giving the chord a slight change, by adding a 7th for example. Go back to that common I-IV-V progression, now let’s add some sevenths and see how it is changed: Instead of E-A-B let's play E-A7-B7 notice how it sounds far more bluesy and rocking? In fact many music historians will tell you that the 7th is what makes rock. Even the Beatles tell a story of riding a bus across town just to learn how to play a B7 chord (remember they had no internet back then!) which allowed them to play like their American rock heroes.

The Nashville Number System Book

Of course that is how new music is made, if we all play the same I-IV-V progression it will get a little boring, so we make substitutions, we add 7ths, 9ths, 13ths, we change majors to minors, minors to majors. The key is to make sure the music still resolves to an acceptable place.

If we change C-G-Am-F to C-G-A-F, play that and notice how something seems off (because of the A major instead of A minor), it just doesn't have a pleasant sound. Of course maybe there is a musical time when this “off” sound might be great, but generally we want a progression that will make our ears happy! Check the following video for a demonstration of the I-IV-V chord progression in a blues context. Songs built on common chord progressions So now that we have an understanding of chord progression basics and the Nashville numbering system, let’s look at some of the more common and simple progressions out there. We will stay in the key of C for all examples.

I V (C-G in the key of C) One of the most basic progressions used in folk music and reggae is I-V, or C-G. These simple two chord songs can be very popular such as Camptown Races or Alouette and even the Beatles Yellow Submarine. Often a 7th is added to the V or dominant chord in these songs. Verses, choruses and bridges Now sometimes these chord progressions mentioned above are used for verses, choruses, and sometimes bridges. Rarely is the same progression used throughout the entire song However it is important to recognize these progressions. After a while you will start to pick them out when you hear new songs, and even later still you will learn to appreciate subtle changes that songwriters make to common progressions. That way they can create a song that will be liked, yet will still be a little different than the rest.

Remember to always pay attention to the way in which various chords sound with each other, a tonic, dominant, and so on mean nothing if they cannot work off each other. Each time you now learn a new chord, notice how it sounds when played before or after other chords you already know., keys, and as many as you can find! The Nashville Number System: conclusions and useful links Now you should have a good understanding of the Nashville Number System and its use in composition, improvisation and songs transposing.

Below you find some useful resources for moving forward with the study of chord progressions:. This reference chart contains the chords (3 tones and 4 tones) for all the major and harmonic minor keys. This lessons series will teach rock and Rockabilly chords progressions and styles.

In this video lessons series, teacher Randal Williams explains music theory and songwriting for acoustic guitar.