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. 'Incinerate' Released: 2006 Rather Ripped is the 14th by the American band. It was released on June 13, 2006,. The record was the band's first album after the departure of multi-instrumentalist, who joined the group as a fifth member in 1999. Unlike its immediate predecessors, Rather Ripped was produced by and recorded at Sear Sound in New York City, the same studio where the band's 1994 album was recorded. It also completed Sonic Youth's contract with Geffen, which released the band's previous eight records. Rather Ripped is generally considered one of the band's most accessible albums, featuring an abundance of concise and catchy songs that deal with melancholic topics about adultery, sexual frustration and infidelity.

Upon release, the album peaked at No. 71 on the US chart and No. The album's only, 'Incinerate', was released in 2006, alongside an accompanying by French director and writer. Rather Ripped received very positive reviews and was ranked at No. 12 in 's 2006 critics' poll. Journalists generally praised the vocal delivery of singer and bassist and the album's simpler and cleaner melodies.

Steve Appleford (2005-10-06). Archived from on 2006-03-27. Retrieved 2016-04-23. From the original on 2014-09-13. Retrieved 2016-04-28.

Sonic Youth Rather Ripped Lyrics

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Contents. Background After (2006), the band's contract with had expired and the two parties decided to go their separate ways. At the same time, was gradually replaced with ex- bassist.

Gordon suggested recruiting him for live shows after having played with him in. Moore found that Ibold 'immediately locked in, and had really prepared himself to the point where he knew the songs better than we did'. Recording When the band decided to record, it seemed natural to include Ibold. The process involved rehearsing the songs during the week in the basement of Moore and Gordon's house and subsequently recording them over the weekend. Shelley recalled, 'It was like having a different project every week and it felt like we were doing a single every weekend. You kind of have to keep on your feet, the speed aspect to this album was very enjoyable'. Eventually the band signed with Matador in 2008.

However, the band had begun writing much of the material before changing record labels. On the pop-rock aspects of the album, Moore noted, 'I can sort of see a relationship between some of The Eternal and Dirty in terms of the dynamic'. He argued that the band 'definitely wanted to make songs as opposed to doing an avant-garde opus'.

On the choice of Matador, he explained that 'we decided that they're a really strong song-supportive label'. Ranaldo noted how they found inspiration in their earlier recordings on Daydream Nation, which 'had an energy that we'd kind of forgotten about, and some of that energy and the experience of doing those songs impacted on the new record.' Content The was painted. The album was dedicated to of. Release The Eternal was released on June 9, 2009 by record label Matador. The album was released digitally, on CD and as a, in both a standard and a 'Buy Early Get Now' (BEGN) edition.

In 2009, it was awarded a silver certification from the, which indicated sales of at least 30,000 copies throughout Europe. Reception Professional ratings Aggregate scores Source Rating 79/100 Review scores Source Rating B+ B− A− 8/10 6.8/10 8/10 The Eternal currently holds an approval rating of 79/100 on review aggregator website, signifying 'generally favorable reviews'. An early review by said 'the album shows signs of life and heart-wrenching vitality that secures its makers’ position at the forefront of American rock music'. In a 'Critic's Choice' review for, Ben Ratliff compared the album to two of their albums from the 1990s, and; he pointed out that the album demonstrated 's continued rise as a singer, saying that she 'sings all the best stuff' on The Eternal, particularly the album's last song, 'Massage the History', a song he called the 'record's sleeper stunner'. The addition of Ibold in the studio was praised by Monday Field of Frank Booth Review, likening the album's basslines to 'a 1AM, alcohol-soaked punch in the gut'. Many reviews were positive: gave the album 5 of 5 stars and said that it 'acts as a fitting and timeless aide-memoire of everything this mighty band has ever achieved.'

Gave it 4 of 4 stars and said, 'The music remains ageless and weird, fueled on chaos and clarity, but these are songs, not sound experiments for their own sake'. Gave the album 3.5 out of 4 stars and said: 'Back on an independent label after nearly two decades with a major, the post-punk quartet returns to its '80s foundation with an album that breaks little new ground, but sounds thrilling all the same. It casts aside some of the band's fondness for the warped digression and simply moves from one thrill ride to the next, rarely pausing for breath'. Gave it a B+ and said that the songs 'are more conventionally rock-oriented than any in Sonic Youth's career, yet the album doesn't really sound like a departure'. Other reviews were very average: gave it a score of 3.5 stars out of 5 and said, 'The three-guitar interplay, moderated by bassist Mark Ibold and Steve Shelley on drums, is confident if briefly indulgent ('Walkin Blue'), but Sonic Youth reigns in those tendencies for the most part, making The Eternal its most straightforward album yet'. UK gave the album 6 of 10 stars and said it was 'well-built, yes, but almost too well built, many parts sounding like they've been lifted directly from SY's vast back catalogue and slotted into place, like a jigsaw that needed completing, rather than the sprawling documents of noise and confusion this band's name is built upon'. Gave it 3 of 5 stars and said the album was 'accessible, listenable, and all the rest: another consistent album from the consistent rock band Sonic Youth'.

Track listing All tracks written by Sonic Youth, except ' by Hansen. Title Vocals Length 1. 'Sacred Trickster' Gordon 2:11 2. 'Anti-Orgasm' Gordon & Moore 6:08 3. 'Leaky Lifeboat (For Gregory Corso)' Gordon & Moore 3:32 4. 'Antenna' Moore w/ Ranaldo 6:13 5.

'What We Know' Ranaldo 3:54 6. 'Calming the Snake' Gordon 3:35 7. 'Poison Arrow' Moore, Gordon, & Ranaldo 3:43 8. 'Malibu Gas Station' Gordon 5:39 9. 'Thunderclap for Bobby Pyn' Moore 2:38 10. 'No Way' Moore 3:52 11. 'Walkin Blue' Ranaldo 5:21 12.

'Massage the History' Gordon 9:43 Total length: 56:25 iTunes pre-order exclusive bonus track No. Title Length 13.

'Burning Shame' 3:54 Japanese and Brazilian bonus tracks No. Title Length 13.

' ( cover) 3:04 14. 'No Garage' 3:48 Personnel Adapted from the album booklet. ^ Diver, Mike (January 3, 2011). Retrieved March 27, 2015. Breihan, Tom (February 12, 2009). Retrieved March 13, 2009.

Gerard (September 9, 2009). Retrieved March 13, 2009.

^ Turner, Luke (June 23, 2009). Retrieved March 27, 2015. February 12, 2009. Retrieved March 13, 2009. Retrieved 17 May 2012. Retrieved June 24, 2013.

Phares, Heather. Retrieved May 17, 2012.

Murray, Noel (June 9, 2009). Retrieved June 24, 2013. Greenblatt, Leah (June 12, 2009). Retrieved June 24, 2013. Costa, Maddy (June 5, 2009). Retrieved May 17, 2012. Appleford, Steve (June 9, 2009).

Retrieved May 17, 2012. (July 2009). Retrieved May 17, 2012. Robinson, Martin (June 2, 2009). Archived from on March 4, 2016. Retrieved May 17, 2012.

Masters, Marc (June 8, 2009). Retrieved May 17, 2012.

(May 26, 2009). Retrieved May 17, 2012. Anderson, Stacey (June 2009). Retrieved May 17, 2012.

Murray, Robin (5 June 2009). Retrieved 17 May 2012. Ratliff, Ben (7 June 2009). Retrieved 24 June 2013. Damien (August 2009). Frank Booth Review. Retrieved 17 May 2012.

Brody, Gideon (8 June 2009). Retrieved 24 June 2013. Appleford, Steve (9 June 2009).

From the original on 24 June 2009. Retrieved 24 June 2013. Kot, Greg (3 June 2009). Retrieved 24 June 2013. Murray, Noel (9 June 2009). Retrieved 24 June 2013. Schroeder, Audra (5 June 2009).

Retrieved 24 June 2013. PSRE (9 June 2009). Retrieved 24 June 2013. Retrieved 18 January 2017. The Eternal (booklet).

New York, NY:. Retrieved January 20, 2013.

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